"VV Square"building, Plot.No.TS 710/1b1 & 2B1, CMC Ward No 18, Moka road, Gandhinagar, Ballari-583 101. 583101 Bellari IN
Kendriya Vidyalaya Ballari
"VV Square"building, Plot.No.TS 710/1b1 & 2B1, CMC Ward No 18, Moka road, Gandhinagar, Ballari-583 101. Bellari, IN
+918050151380 https://www.trendypaper.com/s/5b1a00c581a9afd8ff765190/ms.settings/5256837ccc4abf1d39000001/5b928defbda50e15d4c76434-480x480.png" [email protected]
9788194964087- 61ebec2b61e3dbf8370236f6 Lamps In The Whirlpool https://www.trendypaper.com/s/5b1a00c581a9afd8ff765190/61ebec2c61e3dbf837023710/51are8vuvqs-_sx322_bo1-204-203-200_.jpg Lamps in the Whirlpool is a story of the dilemma the modern Indian woman faces who she should be: a dutiful wife and mother, an obedient daughter-in-law or a woman with a life of dignity. The story is set in Delhi of the 1980s and Girija, the educated housewife, is forced to acknowledge the loveless emptiness of her life, burdened by the archaic Brahminical custom of madi. For seventeen years, she has meekly accepted exploitation by orthodox matriarchy and typical patriarchy, until a visit to Haridwar and the river Ganges opens her eyes to the choice she must make between servitude to family or an unfettered life and loss of access to her children. This story is considered the first feminist novel in Tamil. The author, Rajam Krishnan, was the first Tamil woman to receive the Sahitya Akademi Award. Krishnan set a trend for women-centric novels in contemporary fiction in Tamil and deftly exposed the brittle bricks on which the much-glorified institution of family stands and how fragile the bonds of marriage can be. The story, thus, serves as beacon for the new woman, independent, self-reliant and strong, cutting across regions and class. 9788194964087-
out of stock INR 245
Vitasta Publishing Pvt. Ltd
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Lamps In The Whirlpool

Author: RAJAM KRISHNAN

Brand: Vitasta Publishing Pvt. Ltd

₹245

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Lamps in the Whirlpool is a story of the dilemma the modern Indian woman faces who she should be: a dutiful wife and mother, an obedient daughter-in-law or a woman with a life of dignity. The story is set in Delhi of the 1980s and Girija, the educated housewife, is forced to acknowledge the loveless emptiness of her life, burdened by the archaic Brahminical custom of madi. For seventeen years, she has meekly accepted exploitation by orthodox matriarchy and typical patriarchy, until a visit to Haridwar and the river Ganges opens her eyes to the choice she must make between servitude to family or an unfettered life and loss of access to her children. This story is considered the first feminist novel in Tamil. The author, Rajam Krishnan, was the first Tamil woman to receive the Sahitya Akademi Award. Krishnan set a trend for women-centric novels in contemporary fiction in Tamil and deftly exposed the brittle bricks on which the much-glorified institution of family stands and how fragile the bonds of marriage can be. The story, thus, serves as beacon for the new woman, independent, self-reliant and strong, cutting across regions and class.

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