"VV Square"building, Plot.No.TS 710/1b1 & 2B1, CMC Ward No 18, Moka road, Gandhinagar, Ballari-583 101. 583101 Bellari IN
Kendriya Vidyalaya Ballari
"VV Square"building, Plot.No.TS 710/1b1 & 2B1, CMC Ward No 18, Moka road, Gandhinagar, Ballari-583 101. Bellari, IN
+918050151380 https://www.trendypaper.com/s/5b1a00c581a9afd8ff765190/ms.settings/5256837ccc4abf1d39000001/5b928defbda50e15d4c76434-480x480.png" [email protected]
9781788167451- 61ebeadaf37094ab0de22b63 Essex Girls: For Profane and Opinionated Women Everywhere https://www.trendypaper.com/s/5b1a00c581a9afd8ff765190/61ebeadbf37094ab0de22b74/51btbwejezl-_sx308_bo1-204-203-200_.jpg Essex Girls are disreputable, disrespectful and disobedient.
They speak out of turn, too loudly and too often, in an accent irritating to the ruling classes.
Their bodies are hyper-sexualised and irredeemably vulgar.
They are given to intricate and voluble squabbling.
They do not apologise for any of this. And why should they?

In this exhilarating feminist defence of the Essex girl, Sarah Perry re-examines her relationship with her much maligned home county. She summons its most unquiet spirits, from Protestant martyr Rose Allin to the indomitable Abolitionist Anne Knight, sitting them alongside Audre Lorde, Kim Kardashian and Harriet Martineau, and showing us that the Essex girl is not bound by geography. She is a type, representing a very particular kind of female agency, and a very particular kind of disdain: she contains a multitude of women, and it is time to celebrate them.
9781788167451-
out of stock INR 599
Profile Books Ltd
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Essex Girls: For Profane and Opinionated Women Everywhere

Author: Sarah Perry

Brand: Profile Books Ltd

₹599

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Essex Girls are disreputable, disrespectful and disobedient.
They speak out of turn, too loudly and too often, in an accent irritating to the ruling classes.
Their bodies are hyper-sexualised and irredeemably vulgar.
They are given to intricate and voluble squabbling.
They do not apologise for any of this. And why should they?

In this exhilarating feminist defence of the Essex girl, Sarah Perry re-examines her relationship with her much maligned home county. She summons its most unquiet spirits, from Protestant martyr Rose Allin to the indomitable Abolitionist Anne Knight, sitting them alongside Audre Lorde, Kim Kardashian and Harriet Martineau, and showing us that the Essex girl is not bound by geography. She is a type, representing a very particular kind of female agency, and a very particular kind of disdain: she contains a multitude of women, and it is time to celebrate them.

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